![]() ![]() This amp also features a transparent effects loop for your time-based effects. Its high input headroom allows you to run effects into the front end with beautiful results. This amp features a CR10 custom-designed speaker that is voiced for deep but tight bass response, with Supro’s signature midrange girth and sparkle. This is in great part because it was developed with Keely Electronics.īesides having a gorgeous clean sound and being exceptionally great with pedals, this amp is also one of the best guitar amplifiers in the market for any price range. The Supro 1970RK Keely is a single channel amp and as far as we’re concerned, it’s the best clean amp for using guitar pedals. Supro amps are used by some of the most celebrated players today, including Richard Fortus of Guns N Roses, Joe Perry, Joe Walsh, and Bob Lanzetti of Snarky Puppy. The Supro 1970RK Keeley provides a great sonic foundation for your guitar tone. This amplifier was designed with one of the most respected names in guitar pedals: Keeley Electronics. Z Z Wreck.īelow, we’ll go over 7 candidates for the best clean amps that work nicely with effects pedals: If price is not a consideration and you want the cream of the crop, then look no further than the Dr. If you are on a budget, then the Fender Blues Junior IV is an ideal choice. It has a beautiful clean tone and takes pedals really well. What Are The Best Clean Guitar Amps Of All Time?įor us, the Supro 1970RK Keeley is the best overall option. The guitar amps below are fantastic choices and one (or more) of them will be sure to fit your needs. As usual, a good part of the debate on guitar amplification comes down to taste and personal preference. We’ve rounded up 7 of the best guitar amps for clean tones.Ī clean amp that takes effects well is a highly sought-after tool for guitarists.Need a reliable clean guitar amp that can handle pedals with ease?.If I made any mistakes someone correct me, this is just a quick attempt to share my understanding.Disclosure: We may receive commissions when you click our links and make purchases. But alot of people dont mind the changes and it would be presumptuous to say one is better. Thats not always a bad thing, for example in country music sometimes cold is what your after.Īlot of people "blackface" silverface amps by moding them slightly to undo the changes to the circuit that cbs did. Some of the Silver faced circuit continued to be changed with this in mind as well as the fact they were probably cutting production costs, until you have some late Silver faced models that IMHO are cold sounding. They wanted to get more clean headroom out of the amps. (these are the best bang for the buck amps because they are priced as silver faced amps but are really black faced.) CBS started changing the circuits slowly. There are Silver face amps with the black face circuit. The first year some circuits saw no change at all. ![]() When CBS purchased Fender from Leo in 68 i think they started making amps with a silver face plates, Silver face. If the Blackfaced amps are pristine and the Tweed amps are warmer. They are pristine sounding, they have a classic sound that is now refered to as american clean or california clean. These are probably the most popular and the came around in 65 but some were made in 64. They were short lived because fender then made the Blackfaced amps. ![]() Around the early 60's, They were brighter and more pristine sounding but still very thick. Then Leo made some amps he covered in brown tolex that with brown face plates. This warmer fender tone and the think break up is called the tweed sound. They were warm sounding compared to the amps he would later make and had a really thick tone when broken up. In the 50's Leo Fender made some amps that we covered in tweed. Thats ok, your lack of knowledge about these trivial matters probably means your one hell of a player. ![]()
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